Landscapes of Loss
Landscapes of loss Polaroid and prose speculation.
Continue readingMemoryscoping the Bunurong Coast: A project-based PhD speculating on the intimate and complex histories of a personally significant place
Landscapes of loss Polaroid and prose speculation.
Continue readingA compilation of fragmented narratives capturing fleeting moments, elusive characteristics and the transient allusions that abound on the Bunurong Coast.
Continue readingSpeculative Polaroid of a wildlife trail in the Wreck Beach dunes (38°39’39.4″S 145°34’54.9″E) and audio of listening to the fire, the ocean, insects and frogsong at a nearby bush campsite.
Continue readingSpeculative Polaroid of a wildlife trail through a natural soak near Cape Paterson’s 2nd Surf (38°40’25.7″S 145°36’21.9″E) with audio of the same watercourse, birdsong and the ocean.
Continue readingSpeculative Polaroid of an 1882 geological map with audio of walking through the scrub of Wreck Beach Farm.
Continue readingSpeculative Polaroid of the rock platform near Cape Paterson’s F-Break (38°40’06.5″S 145°35’30.3″E) combined with a recording of the mechanism of a Polaroid OneStep600 camera.
Continue readingA speculative Polaroid of the Wreck Beach bay (38°39’35.1″S 145°34’51.2″E) combined with audio of heavy rain.
Continue readingpeculative Polaroid of Cape Paterson’s First Surf and a recording of water flowing off the cliff line at night.
Continue readingSpeculative Polaroid of the walking track to Cape Paterson’s Bay Beach (38°40’24.2″S 145°37’07.3″E) and audio of walking the same path.
Continue readingSpeculative Polaroid of the ocean at Cape Paterson’s Bay Beach (38°40’25.7″S 145°37’12.1″E) with audio of wind and the ocean at the same location.
Continue readingSpeculative Polaroid of a roadside sign on Wilson’s Road at Cape Paterson (38°38’53.7″S 145°36’04.3″E) with audio of cars traversing the same byway.
Continue readingA Polaroid provocation examination of Aboriginal tools and artifacts sitting uncomfortably in the glass cabinets of a local history museum.
Continue readingA speculative Polaroid combined with audio of walking through water at Wreck Beach.
Continue readingI have vivid memories of the Bunurong/Boonwurrung midden sites at Wreck Beach from when I was a kid in (the mid-1980s). At that time, two different walking paths ran from the carpark through the scrub down to the beach.
Continue readingA speculative image/prose speculation of navigating cultural disjunctures on the Bunurong Coast.
Continue readingA speculative Polaroid and audio speculation on an uncertain ocean horizon at Cape Paterson’s F-Break Beach.
Continue readingA speculative Polaroid and audio speculation on the aesthetic and creative benefits of embracing uncertainty at Cape Paterson’s Bay Beach.
Continue readingA gallery of my Polaroid portraits of Cape Paterson’s Bay Beach compiled each day of our first COVID winter.
Continue readingFinally, I reach my resolution, choose a desk. One angled 154 degrees southeast. One facing the backdrop for the content and landscape I interrogate.
Continue readingA collection of audio/polaroid/prose speculations on days spent at Cape Paterson’s Bay Beach during the COVID winter of 2020.
Continue readingAn attempt at creating layered mixed-media articulations of intimate place-based connections and creative inclinations shared across generations.
Continue readingEarly attempts at layered mixed-media articulations of the complex implications that can be read into the marks and features encrypted into the ground.
Continue readingSamphire is bush tucker, a native succulent also known as sea asparagus, sea beans or swamp grass. It grows on the waterway verges across southern Australia and can be found at any number of places around these parts.
Continue readingPick a road or a track, could be one that you’ve driven a thousand times before. One you’ll likely drive
Continue readingAfter a day spent browsing cluttered filing cabinets and listening to snippets of oral histories in the Wonthaggi Historical Society
Continue readingScorching hot today, 41 degrees here in Wonthaggi. Must be roasting in the city. The museum – in the old railway station building – is surprisingly cool. Perhaps it’s the asbestos.
Continue readingA mixed-media personal reading of the characteristics I have identified in Ross Gibson’s memoryscope construct.
Continue readingA series of speculative sketches on the various meanings that can be read into a trail left in the ground.
Continue readingMy grandmother assumed this aspect nearly forty years previous – easel, paint, tea in a thermos perhaps, two-year-old Easter eggs for sure.
Continue readingTrailing the dog, I jog into the beach side carpark in the early autumn dusk. The place is typical of Bass Coast’s remote beaches, a secluded patch of gravel cut into the scrubby dunes.
Continue readingThis work was developed on the unceded lands and waterways of the Boon wurrung and Woi Wurrung language groups of the Kulin Nations. Much of the fieldwork, including visitation, writing and documentation, was undertaken on the lands of the Bunurong/Boonwurrung people.
The Bunurong/Boonwurrung people are the first storytellers of these lands. Their sovereignty was never ceded. This is, and always will be Aboriginal Land.
I respectfully acknowledge the Ancestors and Elders, past, present and emerging.
In terms of my position as a visitor on those lands, I state my lineage and purpose. I am Rees Quilford. I am a fourth-generation settler of Welsh-Irish descent. I am a writer, communications professional and a PhD candidate with RMIT University.
I was born and currently live on Bunurong/Boonwurrung land. I try to tread lightly, understand my place and listen to what it’s telling me.